JonO’s Picks: 7/16 – 7/22

Thu, 7/16
Ricky Skaggs, Ry Cooder and Sharon White @ MN Zoo, 55$.  Combine one of the best mandolin players of all time with one of the best roots guitar players of all time, then just in case, throw in an incredible female vocalist and you have the some of the best American music this vast land has to offer. Be sure not to miss this as Ry Cooder rarely goes on tour.

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Ricky Skaggs, Sharon White and Ry Cooder

Fri, 7/17
Rich Mattson & the Northstars @ Lee’s Liquor Lounge, 7$

Sat, 7/18
Gail Heil Memorial Fiddle Contest @ Community Center in Lanesboro, MN.  10$ to listen and 20$ to enter. Should be an absolute hoot on the root.

Dave Koz @ MN Zoo, 48$.  Sexy smooth saxophone jams.

Wed, 7/22
The Rockin’ Pinecones @ Northrop Plaza, Free.  Great Local Cajun music in the afternoon.

958 Words on Pink Floyd by Nate Case

Imagine a 13 year-old Nate waiting in the car for his parents to finish their shopping at Wal-Mart in Hutchinson, MN. They said they’d be fifteen minutes and it’s now been AT LEAST 20. So what’s a kid to do? rifle through Dad’s CD collection of course. Now, I knew that Stan had a very decent record collection, and I was no stranger to classic rock. Having been raised on Zeppelin, Elton John, Jim Croce, The Grateful Dead, Creedence Clearwater Revival, The Beatles, the Rolling Stones, etc. Strangely up until that point I had never actually listened to Pink Floyd’s Dark Side of the Moon from front to back, so I thought what the heck, and popped it in. Keep in mind I was very impatient already due to the fact that my parents were 5 minutes over their allotted 15 minute time frame, this album took FOREVER to start. Hearing the album on a relatively nice car stereo in a dark GMC Yukon, only seeing parking lot car lights go by through the tinted windows, turned out to be a very intense way to listen to one of the greatest albums of all time. I was able to buckle down and actually choose to pay attention to something for; what seemed looking back, the first time in my life. All of the sounds were crisp and well represented. All the whispers and background banter, everything I have learned to love about Darkside in its right place. Cliche alert: I was transported to a different place for 45 minutes. I was lost in something that I knew deep in my guts I was completely in love with.

pink-floyd-dark-side-of-the-moon-album-cover
Dark Side Of The Moon, 1973

Fast-forward to 4 years later, I’m now a junior at Hutchinson High School. I had gone through a few different phases of musical tastes, one in particular being a mild obsession with Guns N’ Roses and Metallica. After the excitement of the post hair metal era faded (keep in mind I was at least 12 years behind the curve on this) the fascination of all things classic and psychedelic came back into focus. The Beatles, the Doors, The Grateful Dead, King Crimson, and most importantly, Pink Floyd.

As fate would have it my closest friends were the instigators of this phenomenon which led me back to the band that I had connected strongly with just 4 short years prior. I always knew I liked the Floyd. I always listened casually, but now it was time to dive head first into a world that was already created and a story that was almost already fully told. For some reason I really like the thought of getting into bands many years after they have broken up, or seen their glory days. It’s a lot like looking at a collection classic cars. Some vehicles are perfectly restored and you realize the full potential, on others you can see all the damage, rust, and design flaws fully present. A lot like with albums, If you pay close enough attention to detail though, each car contains beauty and perfect intricacies. As opposed to looking at a lot full of new machines, being dazzled by their seeming perfection, but not knowing what time has in store.

Due to the fact that I surrounded myself with awesome people in high school, my friends and I became extremely obsessed with Pink Floyd and had countless debates on the quality and merit of each album. We each found our own favorite, and in a lot of ways they were a reflection of our individual personalities. Zack’s favorite was The Division Bell, as he liked the more contemporary compositions and compressed and produced vibe. Joe was into the early stuff, with an emphasis on Saucerful of Secrets and Piper at the Gates of Dawn. Biehler loved the Wall for not only it’s dark and psychedelic sound, but also the endless visuals and the fact that it had it’s own movie as well as syncing perfectly to Disney’s Alice in Wonderland. Ty-Pie’s jam was Wish You Were Here, Dillon was an Animals guy. My favorite is and always will be Dark Side of the Moon, in so many ways it’s an absolutely perfect album. However, I do find myself listening to Meddle a lot more often and I would say that it has a certain appeal in the same way Dark Side does. Thinking back, I would say that all our favorite Floyd albums were Dark Side, then we each picked a second favorite to relate to and assign to our individual personalities. Dark Side is undeniably the gateway Floyd album.

pinkfloyd
Pink Floyd

I can’t speak for any of my friends, but the aspect of Pink Floyd that I loved the most, and still love the most, was their ability to captivate mine and everyone else attention around me, making me feel independent but yet connected at the same time. It’s a journey into a crooked mind, a feeling that at any point you could go completely insane. It’s also safety in knowing that someone has already traversed that territory and are reporting back to base. The songs create a story, and give you a glimpse into a world that seems interesting and fun on the surface, but scary and dark underneath. I can honestly say that my relationship with music would be completely different if it wasn’t for Pink Floyd. Everyone knows that spine tingle you get when you hear a piece of music that brings you back to a great moment in your life. For me, Pink Floyd not only represents a band of amazing musicians who made incredible songs, sounds, and records, but also a feeling and soundtrack to some of the most formative years of my life, and for that I will always be a gracious and obsessed superfan.

drk side of loon
Nate will be performing with “Dark Side of the Loon – Minnesota’s Premier Amateur Pink Floyd Tribute Experience” Wednesday, July 15th at Nomad World Pub in Minneapolis

JonO’s Picks: 7/9 – 7/15

Once again, JonO with an installment of his picks!  Busy week guys. Will you find your concert of the summer on this list? Quite possible. Holy-wow!

Thu, 7/9
The Butanes @ Shaw’s Bar (this will be posted every week whether you like it or not) For those that missed it last week special guest Camille Bedouin, the lead guitarist for the legendary New Orleans band The Radiators sat in for both sets of music.  It was fantastic and Free.

butanes
The Butanes @ Shaw’s in NorthEast every Thursday at 8:30PM

Fri, 7/10
Butch Thompson @ Sibley House Historic Site, 15$. Butch is a world renowned pianist and clarinetist. One of the foremost knowledgeable players of Jelly Roll Morton’s early jazz music and has played with the Preservation Hall Jazz Band many times throughout the years.

Raw Oyster Cult @ Bunker’s, 25$. (also on Saturday night) New Orleans super group with several members of the Radiators, Papa Grows Funk and Johnny and the Sketchy Notes. It will be impossible to stay off the dance floor. Butanes open both nights!

Sat, 7/11
Wilco, Jason Isbell and Jenny Lewis @ Basilica Block Party, 45$. A night of great Americana/ Rock music. I am guessing many of the people attending will need to get baby sitters…

Sun, 7/12
Patty Griffin, Mavis Staples and Amy Helm (The Band-Levon Helm’s  Daughter) @ MN Zoo Weezner Amphitheater, 52$.  This show will not disappoint with the sheer vocal talents of all three performers, not to mention this is at the best outdoor venue in the Twin Cities.

Sweet_Harmony_Soul_music at zoo

Mon, 7/13
Jon Cleary @ the Dakota Jazz Club, 30$.  Monster piano man  from New Orleans.

Tue, 7/14
Dawes and Lake Street Dive @ Cabooze outdoor plaza, 30-35$

Wed, 7/15
Dark Side of the Loon: Minnesota’s Premier Amateur Pink Floyd Cover Experience @ Nomad World Pub, 5$. If you want to know why you should attend, ask Nate Case.

drk side of loon

On The Radar:
Ry Cooder and Ricky Skaggs 7/16 @ the MN ZOO, Bryan Sutton Band 8/13 @ Dakota Jazz Club, Tinsely Ellis 8/16 @ Dakota Jazz Club, Jerry Douglas Band 8/20 @ Dakota Jazz Club and so many more… Basically everything at the Dakota Jazz Club in August and September.

Jon O’s Picks: 7/2 – 7/8

With an ear for songwriting and a knack for musical recommendations, Jon O (Jon Osthus) spends his evenings and weekends traversing Minneapolis/ St. Paul seeking out some of the best Americana, Roots, Blues, Folk, R+B, Soul, Electronica, Rock and Pop the Twin Cities has to offer. Over the years his passion for music has refined his tastes and cultural competencies turning him into a living encyclopedia of great music.

Jon O
JonO living the hard porch life

JonO also works for the department of Agriculture, is a co-founder of the environmental organization Brewing a Better Forest, plays mandolin and lives that hard Cribbage, gangsta, porch life.

For the week of 7/2- 7/8 JonO’s Picks:

Thu, 7/2

The Butanes @Shaws’ (1528 University Ave NE, Minneapolis, MN 55413) -Free
Honestly, this weekly gig is great! Again from last week:
“The Butanes were Earl King’s backing band from NOLA for many years and played many Jazz Fests and international tours.  They are the best blues band playing weekly for free in town.  They used to play the Wednesday night residency at the Cabooze from ’89-’94 with their soul revue (Maurice Jacox on vocals) and every Tuesday night at the 400 bar (Chicago style blues).  It is one of the best kept secrets in town.” -JonO’s picks last week

Fri, 7/3

Weird Al @Mystic Lake 8PM $34-$42
forever-relevant.

Booker T. Jones @The Dakota  7pm | 9pm – $42 | $35
Multi-Instrumentalist modern soul greatness- two nights!

Not Him:

Booker-T-wwe-superstar

Him:

Booker-T.-Jones

Sat, 7/4

Booker T. Jones @The Dakota  7pm – $42

Sun, 7/5

Mon, 7/6

Tue, 7/7

First Tuesdays with Dean Magraw and Davu Seru @ Black Dog Coffee and Wine Bar-St. Paul
Local Jazz Legends…Weekly Gigs…Very eclectic artists

Wed, 7/8

~
Enjoy your fourth of July everyone!

Jon O’s Picks: 6/25 – 6/30

**A New Featured bit on Crabwise.net; Jon Osthus will be curating a list of upcoming concerts around Minnesota along with some insight into those shows. JonO, a seasoned purveyor of fine music, brings his years of dedication and experience with music to this new weekly feature. Watch for JonO’s Picks in the right hand navigation bar**

Jon O photo
JonO on the look out

Thu, 6/25

Twin Cities Jazz Fest |Thurs-Sat! Free.  Awesome… Just awesome.

Dirty Dozen Brass band @ Dakota Jazz Club, 25-30$:  Classic NOLA brass band at the Dakota and always a good sweaty time.

Willie Walker and Paul Metsa 5pm, Butanes 8:30pm @ Shaw’s bar every Thursday, Free!

The Butanes were Earl King’s backing band from NOLA for many years and played many Jazz Fests and international tours.  They are the best blues band playing weekly for free in town.  They used to play the Wednesday night residency at the Cabooze from 89-94 with their soul revue (Maurice Jacox on vocals) and every Tuesday night at the 400 bar (Chicago style blues).  It is one of the best kept secrets in town.

Fri, 6/26

My Morning Jacket @ Northrup Auditorium, 45$ Great live rock show. Bringing the best of the Indie world and Jam world together.

Esperanza Spalding @ Mill City Nights, 30-35$

Marcia Ball @ Dakota Jazz Club, 30-35$

Erik Koskinen Band @ Turf Club, 10-12$ Best local Americana band in town.

Sat, 6/27

My Morning Jacket @ Northrup Auditorium, 45$

Dr. John and the Nite Trippers!!!!! FREEEEEEEEEEE @ CHS Field It’s Dr. John, do I need to say more?

Dale Watson @ Lee’s Liquor Lounge, 15$ Another tried and true honky tonker from Texas. Doesn’t get any more real than Dale. Plus he has a song written about Lee’s Liquor lounge

Cactus Blossoms @ Grumpy’s NE – Honkey Tonk Fest, 10$ Just a Honky Tonk kind of weekend.  This one benefits lukemia

Sun, 6/28

Mon, 6/29

Heartless Bastards w/ Craig Finn @ First Ave, 20$ Solid rock show for 20$

Tue, 6/30

Voodoo Glow Skulls @ Triple Rock, 12-14$ High School Nostalgia… only reason it made the list.

The Fog Watch: with Two Beat Band!

On the third installment of The Fog Watch, Jason and Dan are joined by their old pal, Jordan Taylor aka. Two Beat Band.

two beat band
Jordan Taylor, Two Beat Band

Jordan, Jason and Dan discuss the latest from the Crabwise World, Two Beat Band and the music they listened to in their late teens.

Find the latest Two Beat Band record, “Weekend Sounds” out now at Band Camp.

Produced by Nate Case
Intro Music by Fieldaudio
Outro music by Two Beat Band


 

The Fog Watch

Every. Single. Time. (always caught up in the hype)

Every. Single. Time. The music legends from my fragile, identity-formation period reunite or play a smattering of one-off concerts, I freak-out and immediately start hatching plans to be one of the faces in the sea of other devotees.

Just one thing about that… the shows never seem to live up to my sky-high expectations. I always leave the show feeling something like disappointment.

It is not to say that (watch out for names dropping) The Replacements, The Pixies, Neutral Milk Hotel, or Pavement didn’t put on great reunion shows-or continue to do so. The issue is that; a lot of the time those bands are playing exactly what they recorded 10-30 years ago. To make things worse, I just spent $100 and had to be too close to a bunch of other hipster dorks.

I seem to never learn.

Maybe, I don’t care though.

Maybe, I need to readjust my expectations, when I attend these; Reunions, Reboots or ‘Years-Active-Windows’.

Maybe, I need to tell myself; I already know, pretty much exactly, what I am going to see.

Last March, I had the opportunity to receive a check mark, or a half check mark at least, on my concert bucket list. I was able to see one of the greats from my youth, at Tree House Records in Minneapolis. There was an in-store performance by Lætitia Sadier of Stereolab. It was free, it flew relatively under the radar and I had a great spot to see her play. It was incredible and I know how lucky I am to have had the chance to see her.

Sadier

Her performance was spellbinding. There it was- that conspicuous voice of Stereolab. She performed a solo set on an old fender mustang that she borrowed. Her flubs were excusable and her banter magnetizing. Her repertoire consisted of solo songs and a couple of Stereolab tunes.

Although, it was a wonderful experience, I kept thinking to myself; What am I missing? What am I missing from allocating more of my time and money towards seeing the established musicians from my past and not going to see the artists that are lesser-known and bringing something new to the the world? Maybe instead of seeing Kraftwerk, I should put more energy towards seeing some new upcoming band from Minnesota.

kraftwerk
Kraftwerk | Northrup | Wed. Oct 7

I have had conversations about this very topic with my friend Sean. These conversations have provided me with some insight into the issue. He said something to the effect of; “So many people spend their entire lives based upon the identity they created for themselves when they were 17. They never question what they are missing out on. Don’t you want to get more out of life?”

I do.

I do want to keep on wanting to see new and different perspectives and I want to keep learning. But, there is nothing wrong with revisiting the classics.

Now, if only there was some way to learn about new worthwhile music.

What about yourself? Tell me a reunion you were super happy to see, and or something new that blew your mind!

The Very First Time… EVER!

Ducky

If there was a legitimate study looking to find what the average age was that people were exposed to music for the very first time… EVER, what do you think the results would look like? I’d like to look at every little moment of opportunity we have to hear music for the very first time… EVER! First I’d like to mention that I’ve never had a child or been in a hospital while someone close to me was giving birth so I am rather ignorant on the whole process as far as hospital practice works. But I’m going to use my imagination and, as humans do best, jump to uneducated conclusions in graphic detail.

Straight out of the gate; you’re crowning. Congratulation? Not yet, be patient! First the top of your head. Then your “eyebrows”. Then right as your eyes are about to show, your ears flap out and boom, you are charmed with the sounds of the outside world (that is if you are born with hearing. Grim, I know, but let’s be realistic here). As long as we’re frozen in this moment, we can hypothesize that you’re doing you’re very first celebrity impression… Wilson, from Home Improvement! Ok, let’s not stray too far here. While in the womb, yes you could hear sounds, but it was mostly your mother’s heartbeat and muffled sounds vibrating through your mother’s body. So maybe we’ve already been exposed to music at this point. Alright, there is it, article is done now thanks for reading… Nope, let’s make it a rule of this game of “The Very First Time…EVER!” that you couldn’t be inside your mother (shut up). Moving forward, you’re pretending that you’re giving Tim Allen advise through a fence and, all of a sudden, your dad’s cell phone pollutes the air because he forgot to turn it off before watching his child enter the world. Thanks a lot dad, I guess my first song was Yakety Sax being sung by chicken voices. And thanks for checking in, grandma, but we’re kind of in the middle of something. (Disclaimer: If you were born in the early 90’s or earlier, cell phones wouldn’t have been an issue, so let’s be thankful for that. And, for all I know, electronic devices aren’t allowed in a delivery room anyway so thank you for being flexible with me while I tell stupid jokes.)

You’ve been delivered. Excellent! They poke here, slap there, wipe this, snip that and so on. What I’d like to know is this: How common is it to hear music playing in the hallways of a hospital? I can’t recall hearing music played publicly anywhere in a hospital but I’ve never been to every single hospital in the whole world. If they did play music it’d be very subtle, and as a dumb little baby you’re worried about what the hell is going on right now, not “Ugh, a slowed-down instrumental version of Hotel California!” Another thing I’d like to know is this: When they put you in that room with all the other babies, (ya know that room where they mix all the babies up to see if people are paying attention?) do they have music playing in there? As a parent and a “customer” of the hospital, would it be bad form to request that my baby listen to something specific I chose? Can I slip my Walkman into the incubator so that my baby’s first experience with music is anything other than Wonderwall as they’re being carried through the lobby?

Side note: I absolutely love the thought of a human being’s first exposure to [the science or art of ordering tones or sounds in succession, in combination, and in temporal relationships to produce a composition having unity and continuity] (definition of “music” according to Merriam-Webster dictionary) being the sound of a loved-one’s voice singing to another. This really hits close to home for me because I remember a specific song my mother used to sing to me before bed when I was a young boy. As a musician today, if I ever play or sing this song or even remind my mother about this song, I can never get past the first line because it brings her to tears. They’re happy tears, but nobody wants to see their mother cry, so I never get to finish. So maybe your first experience with hearing music was the sound of your mother’s voice singing something very special to you as she held you in her arms for the very first time… EVER!

Duckling

So they release you from baby jail and you’ve finally made it out into the world. We survived birth and we’re feeling great! Let’s assume that my previous scenarios never happened. Our ears have only had the pleasure of hearing the strange ambiance of our surroundings. People sound like adults from the cartoon Peanuts and everything else sounds like a door opening and closing, or the unsettling sounds of a hospital such as continuous beeping and people screaming in agony. But now… I think what we’re about to encounter next could be that special moment where a majority of us get to hear music for the very first time… EVER! This is exciting. I wonder what it could be.

Mom is cradling baby as if she is securing the last Tickle Me Elmo left on the planet. She is helped into the back seat of the vehicle by dad, being sure that everybody is comfortable and safe in their respective seats. After nine months of pregnancy, dad knows by now that if he accidentally pinches the skin of her hip with the seat belt he will surely be sent back to the streets where he belongs. Click. Safe! Dad then swiftly makes his way around the car to the driver’s seat, his first brief moment of solitude after several stressful hours of hurry-up-and-wait while being surrounded by family and hospital staff. With this tiny window of time all to himself, what is going through his mind? Probably something like, “Wow, I’m a father!” or maybe he’s a dick and thinking, “Great, now I have to actually make full stops at stop signs.” Or perhaps he’s thinking (and there might be a very small percentage of us who would take one second to ponder this), “This is our first time alone as a family, together. There should be a soundtrack for this special occasion.” Let’s hope you don’t get caught in this powerful situation unprepared.

There it is, straight from my imagination to yours: a loose narration of the first leg of our lives. I’ve begun painting this picture and now I want you to take it from here. Together, we can hold our lives under a microscope set to “age regression” hoping that we can zoom in on when we were enlightened with the phenomenon of music for the very first time… EVER!

(If you are a believer that one can move from womb to hospital to vehicle to your new home without catching even a teensy glimpse of music, I would love to hear from you. I know it’s possible, but what are the chances? Let us discuss!)

-KY

Blood on the Tracks Express, a No Apologies Party

If there is one city in the world that doesn’t need an excuse to party, it’s Duluth, MN. It’s in the air they breathe, in the beer they drink, the wild rice burgers they consume. I should use “we”, since I still feel a very close connection to the city that I left a mere 2 short years ago. Alas, I am now a big city outsider with starry eyes.

No, Duluth needs not a single excuse to party-they are the party! They are the people others around Minnesota, western Wisconsin and select parts of Canada look to to provide the good times. The people they look to keep their glasses and hearts full. Duluth is 2 parts innovation and 8 parts hospitality.

bld trx 3

It’s this feeling and vibe that emanates out of the somatic woodwork of the walls and dwellings in Duluth. It’s this sentiment that gives Duluth it’s fuel and motivation to keep the Homegrown music festival raging on the verge of control and out-of. It’s  this same sentiment that gives Duluthians another great opportunity to cut loose, the Duluth Dylan Festival.

bld trx 1

Bob Dylan was born in Duluth, and a the majority of people there want you to know that. And this is fine. I was raised in Hutchinson, MN. A city who proudly claims Les Kouba and Wally Pikal (the former a world renowned water color painter, the latter a performer best known for his ability to play 3 trumpets while simultaneously hopping on a Pogo Stick). Cities love paying homage to the success stories they birth and nurture. Duluth is no different. The first shadow Bob Dylan ever cast was in Duluth.  It was small back then, but rather large now. He’s been back to perform a few times, but none of which have been very memorable performances. Just sort-of in and out.

It’s almost better this way. I already sort-of imagine Bob Dylan as a ghost. His stories are, year-by-year, being filled with hyperbole and greater imagination. The movie “I’m not There” from 2007 is an epic semi-biography where Dylan is played by a black kid, Cate Blanchett, Mason Jennings. The film definitely plays off this notion of mystique surrounding Bob Dylan. I might be letting the idea of Bob Dylan get away from me a bit too much, so I’m going to reel it in here. The Blood on the Tracks Express, a 6 hour train ride from Duluth to Two Harbors and back is a wacky adventure filled with drunk characters and insane amounts of fun. There’s almost nothing Dylan about it other than the occasional Dylan cover by some of the bands or Jamie Ness and Brad Nelson playing Dylan songs as their band the Boomchuck’s pseudonym, the Free Wheelers.

bld trx 2

This year’s train ride features The Black Eyed Snakes, Feeding LeRoy, Wolf Blood, Tin Can Gin, Clover St. Cronies, and the Social Disaster. The Boomchucks will most definitely do their Free Wheeler set at the Two Harbors VFW (or Legion I can’t remember) while the bar slings cheap tacos and dollar jello shots between train trips. I’ll be playing with Andy Olmstead at Fitger’s Brewhouse as Gabe Douglas and his Silverback Colony rock the Red Star directly after the train arrives back at the Fitger’s complex. Designed to be rowdy and adventurous, it sounds like this year will not be an exception to the party. See you on the train!

nate and gabe

Nacho